Oil pastels on paper, 48" x 48"
In The Garden At Night
"In The Garden At Night" large artwork on paper - 52" High by 42" Wide - colored pencil, oil pastel and acrylic
Nova Feedback, Volumes 1-10
Between 2004 and 2008 I published my drawings in a zine called "Nova Feedback".
In their "Bull Tongue" column for Arthur Magazine, Byron Coley and Thurston Moore said: "Nova Feedback is also easy on the eyes. The first five issues collect a hot bouquet of drawings and collages that range from extremely casual to speed-freak-detailed. Some of them have a very ‘50s animation feel to them (although the subject matter has a tendency to be bit perverse) and it would be mighty interesting to meet a woman who was covered with his designs as tats."
and Rick Bradford of Poopsheet said:
"Michael Bowman publishes Nova Feedback, nice collections of his drawings and doodles. Very much on the abstract, surreal, art brut side of things and maybe even cute brut. I love this kind of stuff."
the complete issues are now posted online at picasaweb:
http://picasaweb.google.com/semperlofi/NOVAFEEDBACKVOLUMES110#
End Of The Rainbow
Last year I made a 2 CDR compilation and sent it out to the handful of FM radio stations which still play unsolicited, underground music. The 2-CDR set is called "End Of The Rainbow" and is my personal best from over 20 years of writing and recording my own tracks at home in the basement.
KZSU-FM's Zookeeper just posted a fantastic review
"Reminds me of early Sparklehorse; maybe a grit/shit-fi Yo La Tengo. Lots of well written, interesting rock and roll numbers, but also plenty of weird instrumentals and experiments. The man can write a pop tune..."
Listen to tracks at End Of The Rainbow at Soundcloud
My Totem Unfurls
"MY TOTEM UNFURLS" This drawing is 4 feet wide by 5 feet tall. Oil pastels and color sticks on paper.
Don Campau's LIVING ARCHIVE
Who were the "hometapers"? Why did they release their albums on cassettes only? And what was the "tape trading network"?
If you've ever wondered about these things, or are curious now, check out Don Campau's LIVING ARCHIVE, a website devoted to the underground audio cassette scene of the '80s and early '90s.
Don is a radio DJ from the San Francisco bay area who has been on the air since 1971, broadcasting underground music at stations like KTAO, KUSP and KKUP. Don also was part of the avant garde experimental noise outfit The Roots Of Madness, whose 1971 LP "The Girl In The Chair" now fetches vast sums of money on eBay.
Don's LIVING ARCHIVE website is a treasure trove of information. The artists, the homemade tape albums and the pre-Internet networking are all covered in his archive, with lots of cool scans, pictures, interviews and links to other sites and downloads.
PAINTINGS AND DRAWINGS BY VELVEETA HEARTBREAK
Click here to see over one hundred Drawings and Paintings by Michael James Bowman
Click here to buy paintings and drawings
psychedelic cosmic urban punk diy lofi tribal tattoo acid decorative dementia contemporary schizophrenicolor velveeta visual vomit
"large drawings littered with psychedelic shapes and subversive punk slogans"
NEW YORK DAILY NEWS FEBRUARY 2005
"bowman's approach to large scale drawing draws inspiration from the automatic drawing processes of the surrealists, street art, graffiti, outsider art, psychedelic art, and the art of the insane."
L MAGAZINE, FEBRUARY 2005
Velveeta Heartbreak - Future Grot
SIDE ONE
20m 16s 23.2MB MP3
SIDE TWO
20m 55s 23.2MB MP3
In an ideal world, it would be 1970, and "Future Grot" would be sitting in your local record store's underground music bin. The sounds you hear on this record were banged out and recorded over a vast period of time, in different locations, and on a variety of equipment. The earliest recordings date from 1989 and the most recent 2005. The oldest lyric comes from a notebook dated 1983. Recording locations included Manhattan, Brooklyn, Nutley NJ, Rhinebeck NY and Cold Spring NY. The equipment used to record the tracks included cassette 4-track, open-reel 4-track and laptop computer. The instruments (drum kits, guitars, casio keyboards and anything else that would make a suitable noise) were all played by a one-man-band known only as The Velveeta Heartbreak. VH also writes all the tracks and attempts to sing. Much, but not all, of this material was previously released on cassettes and CDRs going back to 1989. We hope you enjoy listening to it as much as he enjoyed making it.
To see a review of this album, and to find out about tons of great underground bands, visit the amazing HOMEMADE LOFI PSYCH BLOG
PSYCHIC BORDERLAND
PSYCHIC BORDERLAND by MICHAEL J BOWMAN
Somewhere in the twilight zone between delusion and disillusion, between freedom and success, between insanity and brainwashing, lies a psychic borderland. The voices tell me, the voices show me; make the most psychedelic album I could ever make yet with song structures and a concept; with a junk store casio, half a drumkit, a pile of toddler toys, a toddler, a beat up acoustic guitar and a crap Mac laptop with condensor mic and Garageband 2.0
Manipulated sound. Auditory hallucinations. Digital dreamery. 20 years and 20 albums too late. Yesterday, today, forever, never. What's the figure? Where's the ground? Between song forms and free noises, between cultural references and unintended consequences. Far out (on the inside). Somewhere between stimulus and recovery. Is there no illusion? Only your imagination? Get it while you can.
I'm sorry --- it's a concept album. About an aging psychedelic artist losing his mind. He comes to believe that his waking life are his dreams, and his dreams are his real life. He starts hearing voices. The voices tell him, the voices show him. He has a "dream" about being a boy instead of an old man. He believes he is dead and has returned as a ghost. How can he get back to the other side? Will he find any of his old friends there? Finally, he meets a "spiritual guide" who shows him the secret passage to the other side; he must "kill" himself... again.
1. Dreaming Close Encounters 6:43
2. Everything Is Changing 7:36
3. Far Out (on the inside) 3:03
4. Crazy Uncles 5:49
5. Psychic Borderland 4:06
6. Ghost 3:23
7. Losing 2:19
8. Passage 17:12
Written, performed and recorded by Michael J Bowman in Brooklyn, Spring/Summer 2009
This CD is not available in stores or anywhere else on the Internet. It is available only as a download, there is currently no CD, vinyl or cassette versions. Please click on the song titles above to download the files.
To hear samples, please go to:
Psychic Borderland
"Folks who were drawn to Lou Reed's Berlin album...may find that Michael J. Bowman's Psychic Borderland is a similar sort of endeavor (like Berlin, it is a concept album). Bowman is one of the few folks who have been able to effectively transform themselves out of the underground cassette culture of the 1980s and 1990s and retain constant credibility in the digital age. Borderland is a peculiar album. Instead of direct pop, these compositions take a more indirect approach. Michael's early fans might not know what to make of this...the songs are abstract and strangely distant. But what matters most...is that this intriguing fellow's creativity remains completely intact. Eight oddities here including "Dreaming Close Encounters," "Far Out (On The Inside)," "Crazy Uncles," and "Passage." Wherever Bowman goes...we are willing to follow"
Babysue Review
"Unequivocally one of my absolute favorite albums of the year. Brimming with a kind of hallucinatory melancholy coupled with catchy hooks, this album could be compared with Grandaddy’s better work, but that just doesn’t do the thing any kind of justice. On this album you’ll hear beautifully textured, potent, heart-tugging, sculptural songs and even one seventeen minute long technicolor scrambled egg trip down the hellhole worthy of comparison to Nurse With Wound. The kind of imaginative recording on display here should reap Mike some kind of award. If I had one I’d fuckin’ give it to him. Congratulations Mike, aside from that one Beatles remaster I bought, this is hands down my favorite pop music of the year."
Vuzh Music Blog
"A rather more low-key and introspective affair is "Psychic Borderland", reputed to be the 20th album in so many years by New Yorker Michael J Bowman. A concept album (no! please don’t switch off!) about an ageing psychedelic artist no longer able to distinguish his real life from his dreams may not sound everyone’s cup of mushroom tea but this is really quite good. Instrumentation is sparse (guitar, piano, electronics) and vocals are often back-in-the-mix, which lends a suitably vulnerable and nebulous edge to proceedings. Thankfully Bowman’s ambient, gentle side helps to balance out the more intense moments and the somewhat unsettling plotline. Now can I turn the lights back on please?"
Ptolemaic Terrascope
"Most of the songs on "Psychic Borderland" could be described as experimental or psychedelic pop music except for the last track, the appropriately titled "Passage" that also starts as a low-key pop song, but soon evolves into a psychedelic space drone delirium... Quite an introspective album with a rather dreamlike atmosphere."
Homemade Lo-Fi Psych Blog
Who is Michael James Bowman?
Michael J. Bowman is a musician and artist who lives and works in Brooklyn, NY, USA with his wife and daughter. Mr. Bowman was born in Elk Grove Village, Illinois and attended art school in Syracuse NY. In the mid-to-late 1980s Mr. Bowman played drums for a variety of New York City punk and rock bands. In 1987, one of these bands, "The Hungry Dutchmen", won MTV's Basement Tapes Award. In 1989 Mr. Bowman quit drumming for other bands in order to write and record his own music, singing and playing all the instruments in his lofi basement studio. Between 1989 and 2006, Mr. Bowman released 15 full-length cassette albums of experimental pop-rock on his homemade Semperlofi label, garnering dozens of rave reviews from the underground press. In 1990 the NYC magazine Musician's Exchange voted Mr. Bowman one of the year's "Best Unsigned Artists". A profile in the March 1996 issue of Alternative Press called Mr. Bowman's music "an acid-dosed cube of unrefined sugar". In the Summer of 2001 MJB's song "Joe" reached #2 on MP3.COM's IndiePop/LoFi chart. More recently, Mr. Bowman's large-scale drawings have been exhibited in several Brooklyn art galleries. Mr. Bowman continues to make and show his artwork while recording and releasing obscure albums of experimental pop rock music.
Reviews
MICHAEL J. BOWMAN - CASSETTE CULTURE CASUALTY 1989-2006
"Deliciously off-kilter goof troop sound"
Indieville
One drop of the needle on the title track and I went searching for the best place to stitch my Velveeta Heartbreak Army patch... a wonderful slice of low budget bubblegum pop... I'm getting the Robert Pollard/Paul Caporino overlooked pop genius feeling again." Razorcake
"It's the token adorable pop song of this playlist with massive Kboard appeal"
DJ Rick, Art For Spastics
"I Shot the Invisible Man is a pretty glorious little brace of power-pop, all angelic boy vocals and piano pound surrounding a catchy, substantial riff. Belongs on a Powerpearls somewhere down the line, I'd say."
Dusted
"Velveeta Heartbreak (or Michael Bowman to be more precise) makes short, concise, pop songs that shimmy out of your speakers like sonic smiles. Of the two tracks it was the b side that made the bigger impression as it's the slightly stranger and looser of the two... Summer music on a sunny spring day, life should always be this good."
Wonderful Wooden Reasons
"Jonathan Richman meets Neil Young at They Might Be Giants' house to trade a copy of Syd Barrett's "Opel" for a box of Good N' Fruity... 15 years of often brilliant lofi output... Mike is well on his way to becoming a legend in hometaping circles... This is the sound of a talented, confident songwriter who loves his 4-track and who would make this music even if nobody listened... if you're smart you'll be one of them" Demouniverse
"There are great songs, catchy hooks, funny lyrics, strange sounds, a wonderful lofi buzz... MJB gets a lot of things right, including the really cute handmade packaging, clever song titles, and some nice sample manipulation. These are pretty impressive recordings given their lofi one-man-band origins... Music like this is indie pop at its best" Splendid
"Mostly acoustic guitar driven catchy songs. Its amazing how catchy some of them are... MJB has a voice that is not really something I can listen to all of the time, but it goes with the quirkyness of the music quite well. Very hip indie rockers would be all about this record, as it does not compromise its independence in any way. Quite creative and quirky, this CDR is not something for the average music listener, but for someone who can appreciate a slightly different take on music" 1340 Mag
"A glorious, clamorous, ingenious, incongruous mess of 4-tracked, grot-shop beats, home-made guitar and outer-space samples" Electronic Robots and Brains
"Michael J. Bowman is good at taking pop music and turning it on its head" Aural Innovations
"Probably one of the most satisfying and strangest releases I've had the pleasure of listening to in recent weeks has been the self-produced and self-marketed CDR from MJB. Bowman has been putting out these obscurist gems since 1989. A self taught musician who delights in constructing strange and deeply memorable snippets from the pop spectrum" Losing Today
"It isn't anywhere near as bad as I expected it to be when I first saw the CDR coated in permanent marker drawings and wrapped in a little plastic baggie with photocopied inserts and art drawn with crayons. The songs range from lovely little guitar and piano melodies to bizarre atmospheric electronica... First we have the fun, slightly off-center guitar driven rocker. Tracks like "I Shot The Invisible Man" and the ominously pounding, unfortunately titled instrumental "Smurf Nazi" are built upon solid hooks and up-front melodic pay-offs... If anything, MJB can kick out a mean groove" Delusions of Adequacy
"Mostly sunny one-man pop circus. Songs that build on the handmade strengths of live drumming, layered guitars and harmonized vocals... Its awesome. A couple of the songs are like 'Medeski Martin and Wood' jamming with 'Ray Davies' in the land of basement pop-rock. The songwriting is very good, as usual, with MJB playing and singing and recording everything himself. Acoustic guitars strum happily in time with some damn fine drumming and an occasional Casio. Pop songs with swearing always works for me. MJB=DIY POP, simple" Autoreverse
"There is a charm and inventiveness that lifts this above the DIY norm. For as time I played this tape in my car over and over everytime I took a drive. There are some pretty good tunes here. This tape is chock full of pop, instrumental noodlings, short experimental dementia, pop, and oh yeah, more pop" Pallid Pilgrim
"Michael J. Bowman is one of the kings of lofi indie pop. His drumming is filled with energy, his pop songwriting skills immensely talented, his guitar and bass work tight and melodic, and his vocals like a hyped-up Neil Young" Turk's Head Review
"Gimme a balloon and some confetti, because I'm having fun. It's cool, poppy pink skies and homemade stuff... A kind of whimsical wimpyness, a bliss of emptyheadedness, coming through skillful but simple tunes. Call it psychedelic, artsy, lively" Neo Barbaric
"One-man hometaper MJB crafts such delightful songs that blend all types of styles and noises and singing and experimentation, melody, rock and more. It's exciting" Scorpion
"The sound quality is self-consciously lo-grade... The songs are too good to be buried under tape hiss and audio hum. Luckily, the material transcends the production values. At the moment, I don't feel like listening to anything else" Gloomytunes
"New York's pope of homemade pop raises the flag yet again" Taped Crusaders
"A single person band, MJB is in the vein of great mix n' match artists like Beck and has the essence of Pavement's unusually wired tunes. If you like music that's got a "homemade" feel to it, but also has good production values to it, then look no further" hEARd
"He uses the word Rocktober in a song, he's a one-man band and he has a song called 'Smurf Nazi'" Roctober
"I was quite impressed with this very DIY cassette of casually tossed-off pop brilliance. Really some amazing, edgy tunesmithery by Michael J. Bowman that fans of Mr. Chilton, Elephant 6, Bee Thousand and those Beatle fellas would certainly dig" Intergalactic Dossier
"Recorded in a basement by one-man-band Michael J. Bowman, "C'mon Slacker" contains several pieces of very tasty power pop" Tape Op
"Sheer genius!" Shouting At The Postman
"I don't know what I can really compare this to, maybe Blind Melon meets Guided By Voices? Something kind of hippy, but something more interesting and good than that. I like it" QRD
"This is the sort of music that my life so much more bearable during my adolescent years!" Original Sin
"It's quite an interesting mix of guitars, keyboards and other electronic doo-dads" Backwash
"More inspired, fun, melodic, original unforgettable songs from the one and only Michael J. Bowman. This cassette is full of the infectious melodies I've come to expect from this obscure, underground hero. Fifteen tunes of pure bliss... This is certainly one of the best releases of 1996! One of the best hometapers of this decade... Michael's peculiar pop with those strangely sincere vocals sounds like no-one else... Michael J. Bowman stands out in a world where too many people are trying way, WAY too hard" Babysue
"An acid-dosed cube of unrefined sugar" Alternative Press
"A little diamond in the rough on the tape trading scene by one Michael J. Bowman. Lotsa different styles here, from Dinosaur drench rock to acousticky goodies and guitar instrumentos... this is dizzy pop spun around a few times on its macrocephalic head" Factsheet Five
"He whips out some great drum fills on nearly every track. The laid-back, homemade jamming feel reminds me of the first McCartney solo album... he's one of the best in the underground... Every song here is a gem... for some reason reminds me of a light-hearted Lou Reed" Ray Carmen
"There's a kind of reckless abandon fused with hook-driven guitar pop going on here that's very hard to resist. And the drumming just kicks all" Orange Street Press
"Oh the glories of 4-track lofi hometaping! Michael J. Bowman's cassette has 20 songs that bristle with post-pop exuberance. Live drumming, catchy riffs and witty lyrics" Sparks
"Hopelessly obscure and equally as brilliant, MJB is excellent power pop with an ironic twist of dissent" Jelly Slide
"Michael J. Bowman is MJB, writing the songs, playing all the instruments and singing. He's been putting out tapes for years, prolific, experimental, wildly eclectic. The crucial thing that makes everything work here is that his first instrument is the drums- no drum-machine sameyness here... every track is pop, every track an experiment" Unhinged
"Having established himself consistently as one of the favorite hometapers amongst those who appreciate a gifted songwriting sense along with a healthy attitude of making fun of music for the fun of it. MJB's tape shows off his seemingly effortless gift of creating compelling songs... progressive pop rock with a heavy psychedelic bent..." Gajoob
"This tape is full of catchy psychedelic rock that possesses a ceratin skewered pop sensibility" New Music Informer
"Its rock and it may even be pop, but it ain't bland or ready for radio music... there are rock instrumentals and even a touch of silliness. It works. The singing is raw and loose... and he comes up with some cool melodies" Sound Choice
"Lightweight rock with cheesy synths and geeky vocals-- all mixed outfront... but once again Mr. Bowman wins me over with his songwriting skills... These tunes have breezy guitar, nimble basslines, decent drumming and hooks galore" File 13
"Wonderfully crafted melodic pop that marries professionalism with homespun charm" Pop Cult
"Mike Bowman has done it again... This stuff sounds like it was produced by entire orchestras, when in fact, one guy does it all. The music ranges from pure pop to some sort of deranged garage punk to experimental stuff" Jersey Beat
"Some songs, some noise, some existential sense from all of this? What DIY is all about" Under The Volcano
"Mike Bowman rips into some gleeful, ragged pop-rock on this 4-track solo outing" Musician's Exchange
"Why the hell did I bother saving any of your crappy cassettes?" Mike Jourgensen
cassette-culture links:
Cassette Culture by Richie Unterberger
Cassette Culture wikipedia article
Cassette Mythos by Robin James
Bill Berger and the original lofi cassette radio show
Cassette Culture article 1987
CDs I played on:
-Jason Trachtenberg: Together (drums)
-Exeter Popes: debut ep (drums, bass, production)
-The Brian Wilson Shock Treatment: Saviours Of Rock (drums)
-John T. Baker: Rough Skeleton (drums)
-The JFK Jr. Royal Airforce: Androids (drums, guitar, production)
-Mummies Of The Insane (drums, guitar, bass, keyboards, songwriting, production)
See also droneforest
Bands I played drums for include:
Synaesthetics, Serious Journalism, Throbbing Pubus, The Sprockets, The Astorians, The Hungry Dutchmen, Bob Reuter, Sickdog, Junkbunny, Bite The Wax Godhead, The Brian Wilson Shock Treatment, Jason Trachtenberg, Billy Syndrome, The JFK Jr. Royal Airforce
"Deliciously off-kilter goof troop sound"
Indieville
One drop of the needle on the title track and I went searching for the best place to stitch my Velveeta Heartbreak Army patch... a wonderful slice of low budget bubblegum pop... I'm getting the Robert Pollard/Paul Caporino overlooked pop genius feeling again." Razorcake
"It's the token adorable pop song of this playlist with massive Kboard appeal"
DJ Rick, Art For Spastics
"I Shot the Invisible Man is a pretty glorious little brace of power-pop, all angelic boy vocals and piano pound surrounding a catchy, substantial riff. Belongs on a Powerpearls somewhere down the line, I'd say."
Dusted
"Velveeta Heartbreak (or Michael Bowman to be more precise) makes short, concise, pop songs that shimmy out of your speakers like sonic smiles. Of the two tracks it was the b side that made the bigger impression as it's the slightly stranger and looser of the two... Summer music on a sunny spring day, life should always be this good."
Wonderful Wooden Reasons
"Jonathan Richman meets Neil Young at They Might Be Giants' house to trade a copy of Syd Barrett's "Opel" for a box of Good N' Fruity... 15 years of often brilliant lofi output... Mike is well on his way to becoming a legend in hometaping circles... This is the sound of a talented, confident songwriter who loves his 4-track and who would make this music even if nobody listened... if you're smart you'll be one of them" Demouniverse
"There are great songs, catchy hooks, funny lyrics, strange sounds, a wonderful lofi buzz... MJB gets a lot of things right, including the really cute handmade packaging, clever song titles, and some nice sample manipulation. These are pretty impressive recordings given their lofi one-man-band origins... Music like this is indie pop at its best" Splendid
"Mostly acoustic guitar driven catchy songs. Its amazing how catchy some of them are... MJB has a voice that is not really something I can listen to all of the time, but it goes with the quirkyness of the music quite well. Very hip indie rockers would be all about this record, as it does not compromise its independence in any way. Quite creative and quirky, this CDR is not something for the average music listener, but for someone who can appreciate a slightly different take on music" 1340 Mag
"A glorious, clamorous, ingenious, incongruous mess of 4-tracked, grot-shop beats, home-made guitar and outer-space samples" Electronic Robots and Brains
"Michael J. Bowman is good at taking pop music and turning it on its head" Aural Innovations
"Probably one of the most satisfying and strangest releases I've had the pleasure of listening to in recent weeks has been the self-produced and self-marketed CDR from MJB. Bowman has been putting out these obscurist gems since 1989. A self taught musician who delights in constructing strange and deeply memorable snippets from the pop spectrum" Losing Today
"It isn't anywhere near as bad as I expected it to be when I first saw the CDR coated in permanent marker drawings and wrapped in a little plastic baggie with photocopied inserts and art drawn with crayons. The songs range from lovely little guitar and piano melodies to bizarre atmospheric electronica... First we have the fun, slightly off-center guitar driven rocker. Tracks like "I Shot The Invisible Man" and the ominously pounding, unfortunately titled instrumental "Smurf Nazi" are built upon solid hooks and up-front melodic pay-offs... If anything, MJB can kick out a mean groove" Delusions of Adequacy
"Mostly sunny one-man pop circus. Songs that build on the handmade strengths of live drumming, layered guitars and harmonized vocals... Its awesome. A couple of the songs are like 'Medeski Martin and Wood' jamming with 'Ray Davies' in the land of basement pop-rock. The songwriting is very good, as usual, with MJB playing and singing and recording everything himself. Acoustic guitars strum happily in time with some damn fine drumming and an occasional Casio. Pop songs with swearing always works for me. MJB=DIY POP, simple" Autoreverse
"There is a charm and inventiveness that lifts this above the DIY norm. For as time I played this tape in my car over and over everytime I took a drive. There are some pretty good tunes here. This tape is chock full of pop, instrumental noodlings, short experimental dementia, pop, and oh yeah, more pop" Pallid Pilgrim
"Michael J. Bowman is one of the kings of lofi indie pop. His drumming is filled with energy, his pop songwriting skills immensely talented, his guitar and bass work tight and melodic, and his vocals like a hyped-up Neil Young" Turk's Head Review
"Gimme a balloon and some confetti, because I'm having fun. It's cool, poppy pink skies and homemade stuff... A kind of whimsical wimpyness, a bliss of emptyheadedness, coming through skillful but simple tunes. Call it psychedelic, artsy, lively" Neo Barbaric
"One-man hometaper MJB crafts such delightful songs that blend all types of styles and noises and singing and experimentation, melody, rock and more. It's exciting" Scorpion
"The sound quality is self-consciously lo-grade... The songs are too good to be buried under tape hiss and audio hum. Luckily, the material transcends the production values. At the moment, I don't feel like listening to anything else" Gloomytunes
"New York's pope of homemade pop raises the flag yet again" Taped Crusaders
"A single person band, MJB is in the vein of great mix n' match artists like Beck and has the essence of Pavement's unusually wired tunes. If you like music that's got a "homemade" feel to it, but also has good production values to it, then look no further" hEARd
"He uses the word Rocktober in a song, he's a one-man band and he has a song called 'Smurf Nazi'" Roctober
"I was quite impressed with this very DIY cassette of casually tossed-off pop brilliance. Really some amazing, edgy tunesmithery by Michael J. Bowman that fans of Mr. Chilton, Elephant 6, Bee Thousand and those Beatle fellas would certainly dig" Intergalactic Dossier
"Recorded in a basement by one-man-band Michael J. Bowman, "C'mon Slacker" contains several pieces of very tasty power pop" Tape Op
"Sheer genius!" Shouting At The Postman
"I don't know what I can really compare this to, maybe Blind Melon meets Guided By Voices? Something kind of hippy, but something more interesting and good than that. I like it" QRD
"This is the sort of music that my life so much more bearable during my adolescent years!" Original Sin
"It's quite an interesting mix of guitars, keyboards and other electronic doo-dads" Backwash
"More inspired, fun, melodic, original unforgettable songs from the one and only Michael J. Bowman. This cassette is full of the infectious melodies I've come to expect from this obscure, underground hero. Fifteen tunes of pure bliss... This is certainly one of the best releases of 1996! One of the best hometapers of this decade... Michael's peculiar pop with those strangely sincere vocals sounds like no-one else... Michael J. Bowman stands out in a world where too many people are trying way, WAY too hard" Babysue
"An acid-dosed cube of unrefined sugar" Alternative Press
"A little diamond in the rough on the tape trading scene by one Michael J. Bowman. Lotsa different styles here, from Dinosaur drench rock to acousticky goodies and guitar instrumentos... this is dizzy pop spun around a few times on its macrocephalic head" Factsheet Five
"He whips out some great drum fills on nearly every track. The laid-back, homemade jamming feel reminds me of the first McCartney solo album... he's one of the best in the underground... Every song here is a gem... for some reason reminds me of a light-hearted Lou Reed" Ray Carmen
"There's a kind of reckless abandon fused with hook-driven guitar pop going on here that's very hard to resist. And the drumming just kicks all" Orange Street Press
"Oh the glories of 4-track lofi hometaping! Michael J. Bowman's cassette has 20 songs that bristle with post-pop exuberance. Live drumming, catchy riffs and witty lyrics" Sparks
"Hopelessly obscure and equally as brilliant, MJB is excellent power pop with an ironic twist of dissent" Jelly Slide
"Michael J. Bowman is MJB, writing the songs, playing all the instruments and singing. He's been putting out tapes for years, prolific, experimental, wildly eclectic. The crucial thing that makes everything work here is that his first instrument is the drums- no drum-machine sameyness here... every track is pop, every track an experiment" Unhinged
"Having established himself consistently as one of the favorite hometapers amongst those who appreciate a gifted songwriting sense along with a healthy attitude of making fun of music for the fun of it. MJB's tape shows off his seemingly effortless gift of creating compelling songs... progressive pop rock with a heavy psychedelic bent..." Gajoob
"This tape is full of catchy psychedelic rock that possesses a ceratin skewered pop sensibility" New Music Informer
"Its rock and it may even be pop, but it ain't bland or ready for radio music... there are rock instrumentals and even a touch of silliness. It works. The singing is raw and loose... and he comes up with some cool melodies" Sound Choice
"Lightweight rock with cheesy synths and geeky vocals-- all mixed outfront... but once again Mr. Bowman wins me over with his songwriting skills... These tunes have breezy guitar, nimble basslines, decent drumming and hooks galore" File 13
"Wonderfully crafted melodic pop that marries professionalism with homespun charm" Pop Cult
"Mike Bowman has done it again... This stuff sounds like it was produced by entire orchestras, when in fact, one guy does it all. The music ranges from pure pop to some sort of deranged garage punk to experimental stuff" Jersey Beat
"Some songs, some noise, some existential sense from all of this? What DIY is all about" Under The Volcano
"Mike Bowman rips into some gleeful, ragged pop-rock on this 4-track solo outing" Musician's Exchange
"Why the hell did I bother saving any of your crappy cassettes?" Mike Jourgensen
cassette-culture links:
Cassette Culture by Richie Unterberger
Cassette Culture wikipedia article
Cassette Mythos by Robin James
Bill Berger and the original lofi cassette radio show
Cassette Culture article 1987
CDs I played on:
-Jason Trachtenberg: Together (drums)
-Exeter Popes: debut ep (drums, bass, production)
-The Brian Wilson Shock Treatment: Saviours Of Rock (drums)
-John T. Baker: Rough Skeleton (drums)
-The JFK Jr. Royal Airforce: Androids (drums, guitar, production)
-Mummies Of The Insane (drums, guitar, bass, keyboards, songwriting, production)
See also droneforest
Bands I played drums for include:
Synaesthetics, Serious Journalism, Throbbing Pubus, The Sprockets, The Astorians, The Hungry Dutchmen, Bob Reuter, Sickdog, Junkbunny, Bite The Wax Godhead, The Brian Wilson Shock Treatment, Jason Trachtenberg, Billy Syndrome, The JFK Jr. Royal Airforce
Links
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VELVEETA HEARTBREAK - THE MOST UP-TO-DATE DRAWINGS, PAINTINGS, PHOTOS
VELVEETA HEARTBREAK - DON'T FORGET THE CHEESE CD from CUT AND PASTE RECORDS
The DIGLAYER CHANNEL on Youtube
VELVEETA HEARTBREAK on MYSPACE
VELVEETA HEARTBREAK on Last.fm
VELVEETA HEARTBREAK PHOTO DISCOGRAPHY on FLICKR
Double Dare Press article
VELVEETA HEARTBREAK - THE MOST UP-TO-DATE DRAWINGS, PAINTINGS, PHOTOS
VELVEETA HEARTBREAK - DON'T FORGET THE CHEESE CD from CUT AND PASTE RECORDS
The DIGLAYER CHANNEL on Youtube
VELVEETA HEARTBREAK on MYSPACE
VELVEETA HEARTBREAK on Last.fm
VELVEETA HEARTBREAK PHOTO DISCOGRAPHY on FLICKR
Double Dare Press article
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